by Dugafola on Thu Jan 31, 2008 5:10 pm
hey,
i just returned from guinea about 10 days ago and was fortunate to spend a good amount of time in the Sankaran region in and around the villages between Faranah and Kissidougou. I witnessed Tabaski, Sira and Soliba ceremonies/festivals and got to see the village djembefolas do their thing.
The djembes that were played were smaller then what we normally play...topping out around 11" to 12" max in diameter and only about 20" tall. the heading system consisted of thick goat skin, braided cow hide for rings and rope. if you go to a different region, ie Kouroussa, i think you'd see 'normal' djembes with rope and rings(or braided wire)
i haven't sorted out any pics yet but i'll try to post one today or tomorrow.
for a good read on the connection of traditional west african music, check out Mande Music by Eric Charry. it can be dense read, but a good starting point...
i'd say Famoudou and Mamady have had a major impact on the spread of traditional djembe drumming. but you must also consider the world tours of the les ballets african and djoliba national from guinea as the first real glimpse into traditional west african drum and dance. granted, the ballets took the traditional forms and modified it for the stage, it was westerners first exposure to instruments like the djembe outside of Africa. after each of Famoudou's and Mamady's respective careers in the ballet, they both focused on teaching foreigners traditional djembe music . CDs started to get produced and Famoudou's first album from Germany, Rhythm der Malinke, remains one of the most crucial djembe recordings still after 18 years. Of the big big Grand Master Djembefolas from West Africa, Famoudou and Mamady were among the first to be recorded along with Papa Ladji Camara also from guinea and Adama Drame from Burkina Faso.